My brain was addled and my neck ached. I had been sitting too long in front of the computer. I couldn’t even motivate myself enough to procrastinate. And then I saw the sun was shining. Why not grab one of the tasty korvapuusteja my wife had just baked and head for the woods? Continue reading “An inspiring walk”
As an author of a mere half of a book, I feel greatly honoured to have been invited by the enterprising Tiffani Burnett-Velez to participate in her Historical Novel Blog Tour, mingling with such illustrious writers as Meara Platt, Douglas Hawkins, A. David Singh, Claudia Long, Greg Michaels, Barbara Eppich Struna, Eleanor Parker Sapia. Thanks for the privilege.
Who you are, where you’re from, your writing credits
I wrote this bit under palms in the Brazilian jungle, sipping a freshly-made caipirinha. All nine family members – including two charming grandchildren – were visiting our daughter-in-law’s relatives for Christmas.
Born in (old) Jersey GB, my father was Swiss, my mother of French Huguenot stock. I studied physics in London and met my Finnish wife in Geneva during a research project at CERN. After many moves, we have settled in a beautiful village near Zürich, Switzerland. I’m now facing the prospect of retirement. Continue reading “Historical Novel Blog Tour”
Many aspects form a novel – plot, pace, voice, character arc, setting, backstory, etc. But a novel wouldn’t be anything without characters. And readers want to get to know the main players. Among other things, they want to discover what they look like. And that, in turn, means they want to see their faces.
I’m not good at faces. Legend has it that I didn’t recognise my mother, although we had arranged to meet outside a certain shop. Often it’s only when an acquaintance I haven’t seen for a while does something – raises their eyebrows, speaks or walks in a characteristic way – that I realise who they are; their personality shines through.
Q: How can I, who don’t notice faces, learn to describe my storybook characters’ appearance?
I’ve come to a point in my story where Silvanus engages in heart-searching exchanges with his wise old mentor, Cerbonius. They don’t do much. They talk. This, I realize, can quickly become boring for the reader, who is hoping for more excitement.
What’s the solution? Continue reading “Description, Action or Dialogue?”
As an aspiring author, I’ve read several books on the art and craft of writing. They confused me. I didn’t even understand the terminology, let alone the principles they advocated.
There’s nothing better than jumping in the deep end and getting feedback from more experienced authors. My hesitant attempts at posting individual chapters of my book for others to critique, have taught me a lot. Continue reading “Beats, Tags and White Space”
Every author stresses how important revision is. The trouble is, one easily overlooks one’s own weak points, omissions and errors. The solution sounds easy: Get a good Critique Partner for reciprocal manuscript correction.
But how? There aren’t that many budding English-speaking authors in Oberlunkhofen! Continue reading “Serious Criticism”
“Look around where you are right now. Describe this setting – but do so in the words your viewpoint character would use.” This was the exercise I was set in the book I’m currently reading. So I tried, in the words and from the point of view of a 6th century peasant boy from Elba! Continue reading “Where (on earth) am I?”
Don’t you sometimes make a major change to a chapter – delete a whole section and rearrange the sequence of events – only to have a nagging thought that perhaps that wasn’t such a good idea and in a week or two you’ll want to revert to the old version? Continue reading “Another great tool for authors!”